Questions I had as when I was in class 7-8th
Any foreign nation doesnt use something like Pandit or Ustad or does it...and why dont ladies have any such respectful way of being addressed..What is the Qualification for Panditya on the basis of getting more concerts or actual intellect..?
Same about hand gestures.That are conditioning..secondly producing voice like guru than just his or her stylistics..Even that is a question...Why do people not take just the sylistics ?
A female singer has the feminine aspect and a male singer has a masculine feel..would it be a good idea for a female singer to copy her male teachers broad voice? If a guru finds that rather than singing in his or her voice copying the exact voice of guru is happening... what is the result ? You will never know who it is ...Just by listening to that person.All is good but they all sound alike all disciples people then say..except the thought process..also does a guru say ...Do not sing in a male voice or a broad voice take everything else but continue to sing in your modified voice that you have developed now than like your male / female guru if it is a boy also..
One must listen in his or her own voice ..Yashwant Deo said and not sound like anyone else He used to give examples also ..You sing in your voice he said to me also ..when he saw how much I sounded like Ashaji..which was not her voice but voice culture though..Once I sang a raga to Borkar Buwa ( Harmonium wadak and not Bakibaab ) He said so and so chya gaanyachi bhrasta nakka ..Although it was impossible I have learnt from Sadalatai and she used to have rounded notes glides Slurrs in her style ..Then I cant copy a Jaipur Atrauli singer...Its not easy..I just sing with a lot of smoothness since that was a daily two hour 'sanskaar ' on our batch and not just me.Post that I learnt from Mukta tai Bhide still I didnt drop what I learnt from Saralatai..So Mukta tai used to say What you learnt or picked from her style sing aa she taught and what I taught you sing ..my wave . But it did not have a very vast difference except for the too smooth voice approach of Saralatai with grace notes rounded notes and slurrs... Nandini P Borkar ( Nandini Borkar )
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